Falling In Love: Reconnecting With Your Instrument

I love music, I love learning about it, I love digging into the craft, studying, challenging myself, practicing and performing as much as I can… I’m pretty certifiably obsessed.

Smitten.

I’m proud of it, honestly. I kind of relish the weird comments or disbelief that I try to do as much drumming as possible. It’s part of my identity, both internally and externally.

Plenty of people don’t have that, though… A relationship with music/an instrument that helps define them. Or maybe they did, and lost it somewhere along the road.

For those of us even a little serious about musicmaking, finding and honing our creative voices, I think we have to love what we do. We should be thinking about it waiting in line or sitting on the bus…

Infatuation with your instrument and the music it makes is (or at least should be) part of the process.

Balance is important of course, but I’m looking right at those folks who play… Who want to play… But always seem to find other things to occupy their attention.

If you don’t find yourself in my camp of “I want to do this ALL THE TIME” – how can you get there?

Or, a bit more practically, how can you stoke the fires of musical passion to make time to practice (which we all know is important), to put forth more effort than you currently are – because you want to.

How do you fall back in love with your instrument?

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Giving The Gift – A Concept Worth Remembering At Each and Every Gig

Sometimes all it takes is hearing the right message. The right collection of words at the right time can coalesce with existing experiences and unarticulated thoughts…

This is the stuff real inspiration is made of.

Totally new ideas take time to sink in, have to contend with existing worldview, hurdle psychological barriers.

But the right statement in the right context can bring nebulous ideas close to a pinpoint – and I recently had one of those moments.

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Lunch Break Groove Philosophy

If we’re Facebook friends, you may have seen my series of #Lunchbreak grooves. I’m up to like 42 of them now, and it has been a fun and interesting project…

In the spirit of connecting my various paths of creativity, I thought I’d take a moment to talk about why I’m doing them, what I’ve learned so far, and the value that we can all get out of “projects” like this.

First, these videos are rough and short form, done through Instagram and shared to Facebook. Even that has its purpose – while I have some IG followers, I currently have a much larger network on Facebook, and drum stuff seems to be less diluted there… Or rather, it’s where I’m connected to more people I know and care about, and that’s part of the impact I’m trying to make.

You can find the whole dang list right here.

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GET OFF YOUR ASS!!!

Someone has to say it.

I see it way too much – up close and at a distance – the incompatible combination of wanting to do something… AND NOT ACTUALLY PURSUING IT.

Forgive me for ranting. This isn’t usually my style, and before I wander into too much lecturing, I’ll gladly concede that everyone is different. We don’t all have the same goals, energy levels, patience, and so on…

But with that said, if you really want to improve as a musician, if you want to play gigs, if you just want to have faster single strokes – you have to work for it.

Now, there’s no benchmark for “success” that applies to everyone. Maybe you can’t (or don’t want to) dedicate massive amounts of time to the practice room or hustle for gigs every day – but if you want even a fraction of whatever success means to you, it absolutely requires effort.

There is no getting around it.

If you don’t care, or are perfectly content with your playing, your musical career (whatever that may be), etc., this isn’t for you.

If, however, you want to see how deep the rabbit hole goes (like I do), you have to break out your metaphorical shovel and get to digging.

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Listening to Music You Don’t Like

Art is subjective, right?

We’re not all going to like every band, every song, even every style of music we hear… And that’s a good thing!

Our preferences are what determine our sound. Like it or not, we’re all the product of our combined influences – and in order to have favorites, it’s only logical that we have to have the opposite… Songs and styles we just don’t enjoy.

…But how we deal with the stuff we don’t like can be just as important – and educational – as the music that inspires us most.

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The Confidence/Knowledge Paradox

Confidence is a strange beast. Some seem to possess it inherently, others seem to fight to find it their entire lives. Musicians are notorious for this dichotomy, many acting as their “own worst critics” or constantly chasing some sense of artistic achievement that’s always out of reach.

The mighty Beethoven, a true master by all accounts, once wrote in a letter to a young admirer:

“The true artist is not proud, he unfortunately sees that art has no limits; he feels darkly how far he is from the goal; and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.”

Even a man of his tremendous achievement is plagued by doubt, disheartened by some goal that always seems just over the horizon. Maybe it’s just part of being an artist…

But it’s also just part of being a human.

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A Clinic With Derico Watson

I hail from a small(ish) town called Muskegon, Michigan. We’ve got a few “claims to fame,” but for the drumming community, one of the proudest is being the hometown of Derico Watson.

Derico is a powerhouse of a player with plenty of chops and super deep pocket, but even more importantly, he just exudes joy and passion when he plays. He’s passionate about many things actually, he is a natural medicine advocate, and talks to everyone who will listen about the benefits of alternative medicine over conventional. Not many people consider alternatives when they get sick, but many that have been around him do now because of the wealth of knowledge he has on the subject. If you want to look into this further you can go here to check out alternative medicine.

Perhaps best known for his work with Victor Wooten, Derico has had a huge impact on the drummers hailing from this part of the world, myself included. Even though I missed the opportunity to study with him when I was younger, products of his education exist across our local scene – and his influence (in my humble opinion) has raised the bar for the drummers of West Michigan.

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Authenticity: Social and Musical Currency

I’ve been a little lost on what to write about lately. I’m not a pro drummer, I’m just working on it – so who the hell am I? Why does it matter what I have to say?

…But oh so gradually, I’ve been starting to figure it out. From the conversations I have with my musical peers to the responses I got on Sarahah, the marketing material I edit for my dayjob to a talking point at the Derico Watson clinic I recently attended… The message shows itself time and time again – most of us are just too stuck to soak it in:

THERE’S ONLY ONE YOU

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Creative Confidence

[This was originally written as an internal blog for my day job at LongerDays, but seemed fitting for here too… This goes for way more than drumming! Let me know what holds you back.]

Putting yourself out there can be scary… Even more so when you’re sharing a creative work. We pour ourselves into these projects to sharpen skills, to express ourselves, to get a message across… But when it comes time to share it with the world, the propensity to hesitate is OH SO REAL.

But why?

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An Unintended Hiatus

Oof, I haven’t even drafted anything for this blog in weeks, maybe longer…

I’m sure that’s familiar to many of us – the old “put a project down for a little while” break that may or may not mean abandoning it entirely…

That’s precisely what I’ve done here. I’m not entirely sure why – I enjoy writing these blogs, contemplating the topics, and so on. I absolutely love when something I’ve written here can be a catalyst for a conversation or a connection to new people.

So why stop?

barking

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