So… I know a few things, but only kind of.
Broadly, though, I don’t have a god damn clue what I’m doing – on stage, at work, booking shows, teaching lessons, simply existing as a human being… It’s a work in progress at every single point, and likely always will be.
The good news is, depsite what anyone may tell you, it’s that way for everyone.
Total confidence is a spectre, and vague notion on the wind – and we should all embrace that.
Almost every day, I experience unfamiliarity, but with the right approach, it’s an adventure – a chance to refine what little information I have into something a little more actionable – or in some cases, the barely-informed actions present bits of wisdom I can add to my growing (but forever incomplete) body of knowledge.
Continue reading I Have No Idea What I’m Doing
Sometimes all it takes is hearing the right message. The right collection of words at the right time can coalesce with existing experiences and unarticulated thoughts…
This is the stuff real inspiration is made of.
Totally new ideas take time to sink in, have to contend with existing worldview, hurdle psychological barriers.
But the right statement in the right context can bring nebulous ideas close to a pinpoint – and I recently had one of those moments.
Continue reading Giving The Gift – A Concept Worth Remembering At Each and Every Gig
Someone has to say it.
I see it way too much – up close and at a distance – the incompatible combination of wanting to do something… AND NOT ACTUALLY PURSUING IT.
Forgive me for ranting. This isn’t usually my style, and before I wander into too much lecturing, I’ll gladly concede that everyone is different. We don’t all have the same goals, energy levels, patience, and so on…
But with that said, if you really want to improve as a musician, if you want to play gigs, if you just want to have faster single strokes – you have to work for it.
Now, there’s no benchmark for “success” that applies to everyone. Maybe you can’t (or don’t want to) dedicate massive amounts of time to the practice room or hustle for gigs every day – but if you want even a fraction of whatever success means to you, it absolutely requires effort.
There is no getting around it.
If you don’t care, or are perfectly content with your playing, your musical career (whatever that may be), etc., this isn’t for you.
If, however, you want to see how deep the rabbit hole goes (like I do), you have to break out your metaphorical shovel and get to digging.
Continue reading GET OFF YOUR ASS!!!
Art is subjective, right?
We’re not all going to like every band, every song, even every style of music we hear… And that’s a good thing!
Our preferences are what determine our sound. Like it or not, we’re all the product of our combined influences – and in order to have favorites, it’s only logical that we have to have the opposite… Songs and styles we just don’t enjoy.
…But how we deal with the stuff we don’t like can be just as important – and educational – as the music that inspires us most.
Continue reading Listening to Music You Don’t Like
Confidence is a strange beast. Some seem to possess it inherently, others seem to fight to find it their entire lives. Musicians are notorious for this dichotomy, many acting as their “own worst critics” or constantly chasing some sense of artistic achievement that’s always out of reach.
The mighty Beethoven, a true master by all accounts, once wrote in a letter to a young admirer:
“The true artist is not proud, he unfortunately sees that art has no limits; he feels darkly how far he is from the goal; and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun.”
Even a man of his tremendous achievement is plagued by doubt, disheartened by some goal that always seems just over the horizon. Maybe it’s just part of being an artist…
But it’s also just part of being a human.
Continue reading The Confidence/Knowledge Paradox
I’m not an expert, but I’m working on it.
The business and blogging gurus of the world might tell me not to mention that, to present what I know with confidence, and avoid acknowledging gaps by way of intentional omission… But I’m not going to do that.
The entire point of this blog is exploration. I aim to chronicle the things I learn while I’m learning them, to share experiences and ideas and insights in whatever forms they come, however imperfect they might be – and by doing so, encourage you to do the same. Not for the sake of reputation, clout, or anything of the sort – but rather for the noble pursuit of knowledge, and owning the roughshod, meandering path that such pursuit includes.
As I wander my way into doing more “gear review” type posts, I’m met with a fair amount of imposter syndrome. I don’t run a studio. I don’t work for a drum company. I’ve had a relatively cool collection over my life, but there’s a TON I don’t know… But this is my place to explore and share, right?
With that in mind, I wanted to address the how and why of these “reviews,” partly to explain myself, but mostly to answer my own question: “why write reviews when I feel underqualified?”
Continue reading My Rough Approach to Gear Review (so far…)
I just had the distinct pleasure of seeing the Charlie Hunter Trio at Tip Top Deluxe in Grand Rapids, Michigan. Despite the title here, the music was by no means “simple” – and if you’re at all familiar with Charlie’s playing, you know just how technical and impressive it can be, aside from it’s mega tastiness.
The trio consisted of Charlie on his magical seven-string guitar, a singer (Dara Tucker), and a percussionist (Damon Grant)… And for the purposes of this discussion, I want to focus on the “drums.”
With a cajon, a few cymbals, some shakers, and a pedals for a tambourine and low boy, Damon’s parts were eloquently sparse and waaaay deep in the pocket…
We hear about it often: the licks that will get you fired, the importance of the groove, fills don’t pay the bills, keep it simple, and on and on – but this was a masterclass in the raw power and straight funkiness of minimal, beautifully played time and TONS of space.
Continue reading The Power of Simplicity
For all the stupid drummer jokes out there (literally jokes about drummers being stupid), we have an awful lot to deal with – and that takes brain power.
Where we don’t have key signatures and modes to keep track of, we do have limb coordination, setting the feel and tempo, and of course, a silly amount of gear to contend with. In my own personal experience, that translates into some pretty meticulous habits and attitudes about musicmaking.
I tend to be the overthinker, the logistics maker, the one most worried about load in times and stage arrangements… Because I have to bring so many pieces of gear for even a basic setup, I also tend to be the “quartermaster” – keeping track of all the gear and remembering the little details about what we have to bring along to the gig.
It goes well beyond gig prep and scrutinizing the time, though… Drummers are some of the weirdest, most meticulous, picky musicians around. Jury’s out as to why this might be the case.
Of course, we’ve all had our intellectual egos stroked by the articles proclaiming the drummers are the smartest, but does all this meticulousness help or hurt us?
Either way, it certainly sets us apart from many of our musical counterparts.
Continue reading The Meticulous Drummer
I’ve been a little lost on what to write about lately. I’m not a pro drummer, I’m just working on it – so who the hell am I? Why does it matter what I have to say?
…But oh so gradually, I’ve been starting to figure it out. From the conversations I have with my musical peers to the responses I got on Sarahah, the marketing material I edit for my dayjob to a talking point at the Derico Watson clinic I recently attended… The message shows itself time and time again – most of us are just too stuck to soak it in:
THERE’S ONLY ONE YOU
Continue reading Authenticity: Social and Musical Currency
Oof, I haven’t even drafted anything for this blog in weeks, maybe longer…
I’m sure that’s familiar to many of us – the old “put a project down for a little while” break that may or may not mean abandoning it entirely…
That’s precisely what I’ve done here. I’m not entirely sure why – I enjoy writing these blogs, contemplating the topics, and so on. I absolutely love when something I’ve written here can be a catalyst for a conversation or a connection to new people.
So why stop?
Continue reading An Unintended Hiatus