I just had the distinct pleasure of seeing the Charlie Hunter Trio at Tip Top Deluxe in Grand Rapids, Michigan. Despite the title here, the music was by no means “simple” – and if you’re at all familiar with Charlie’s playing, you know just how technical and impressive it can be, aside from it’s mega tastiness.
The trio consisted of Charlie on his magical seven-string guitar, a singer (Dara Tucker), and a percussionist (Damon Grant)… And for the purposes of this discussion, I want to focus on the “drums.”
With a cajon, a few cymbals, some shakers, and a pedals for a tambourine and low boy, Damon’s parts were eloquently sparse and waaaay deep in the pocket…
We hear about it often: the licks that will get you fired, the importance of the groove, fills don’t pay the bills, keep it simple, and on and on – but this was a masterclass in the raw power and straight funkiness of minimal, beautifully played time and TONS of space.
Continue reading The Power of Simplicity
Big, sweeping platitudes only carry so much weight… But in the moments when we can put complex ideas into a concise little nugget of wisdom, it’s at least worth hanging onto as an easy reminder.
My first introduction to what I want to unpack in this series comes from an excellent Charlie Parker quote:
“Master your instrument. Master the music, then forget all that shit and just play.”
I’ve been growing this idea in my head for a little while now, and it has continued to gain steam the more podcasts I listen to, the more interviews I read – the more I try to pay attention to the “greats” as it were, or at least the people I think are doing the right things on the kit.
I think Parker is absolutely right, but I’m looking at this as a drum nerd, not just a musician (and not just as an improviser). I also think there’s a ton of value to be had in the idea of striving for mastery, then paring down as much of it as possible for the sake of practicality and effect…
Continue reading The Twofold Path – Part 1: Introduction